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Songwriting Exercise: Turning Poems Into Songs

Turning poems into songs sounds like something that’s pretty easy to do.

After all, the words are there. The rhyme is there (unless you’re using free verse poems). The meter is there (in free verse too). All you have to do is add the music!

But the challenge is in creating something accessible to a listener that comes at them in a song’s structure. Ultimately, they shouldn’t be able to tell it was a poem.

STEP 1: Choose Your Poem

  • Try and choose a poem with a “form” rather than a free verse poem. Free verse usually lacks end rhyme, and there’s not a pattern to the meter, line count within a stanza (verse for you) or line lengths (syllable count for you), so make writing a song from them difficult.
  • If you use a free verse poem, tip – look for internal rhymes you can leverage or vowel sounds. Lucinda Williams did a nice job of this with her father’s poem Compassion.
  • Choose a poem that’s relatively short and leaves you room to create a chorus or refrain. Why? Because you don’t want a fifteen minutes song, and you want to leverage what makes a song a song, repetition to establish a “home base” for the listener.

STEP 2: Look For A Natural Refrain or Chorus

  • Can you find something that repeats that ties to the larger idea of the poem?
  • Is there a natural “block” of four or five lines that would make a great chorus because it meets the criteria around a chorus’s role?
  • Did you notice a key word or phrase that may not repeat, but is the heart of the poem?

No Natural Refrain? Now What?

Don’t worry, you’re not stuck. Here are some easy steps to help you create a chorus or refrain to help in turning poems into songs:

  • Determine the meaning of the poem
  • Can you summarize this “chorus style”?
  • Is the title of the poem in the poem? If not, will it work as a hook?
  • If the title works as a hook, write the chorus
  • Does the title make a better refrain if it’s long?

STEP 3: Create The Song’s Structure

Everything is sort of there already, but how do you arrange it, and what’s missing?

  • Chunk out the stanzas as if they’re parts of a song.  Label them as Verse 1, Verse 2, Chorus, Bridge, Pre-Chorus, etc.
  • Try some alternative labels. E.g., no pre-chorus, label a line that way and is it something that could repeat every time prior to your chorus?
  • Do the above on a few different print outs of the poem for use when you’re adding the music. They’re all structure ideas that create options for you later.
  • Now take an inventory. What’s missing?
  • Write out a few ideas for the missing pieces. You may have a whole chorus in mind, or a refrain or bridge idea. Write them all down.

STEP 1: Find The Poem’s Natural Rhythm or Groove

There will be a natural meter to the poem regardless of whether you’ve chosen a form or free verse.

  • Read the poem out loud and tap your hand on a desk so you can hear the rhythm.
  • Follow the nature cadence and rise and fall of the words within the poem to find your melody line.

STEP 2: Look For A Genre Fit To Start

You may have a genre you naturally play within, but the poem may have one of it’s own. Explore that option first. Why? Because it will help expand your own song catalogue!

  • Granted, mine was a bit easier since the rhythm was suggested by the title, but it makes the point: does your music work with the tenor of the poem? For example, William Mathews loved the blues. Using one of his poems would conjure up that particular genre.
  • Is there a common chord structure for the genre you’ve chosen begin there with your chord selection.
  • How do your chords fit with the natural melody line of the poem? Are you going “up” with a chord when the language is suggesting a darker moment or idea?
  • Begin adjusting your accompaniment with the melody and you’ll end up with a unique progression.

Van Morrison | William Butler Yeats “Before The World Was Made”

Lucinda Williams | Miller Williams “Compassion”

John Gorka | William Stafford “At the Un-National Monument along the Canadian Border”

Patty Larkin | William Carlos Williams “The Fool’s Song”

In late 2018, my poetry mentor Arthur Smith passed away. 

He was not only an exceptional poet and professor, but someone who gave his time to aspiring poets and writers, helping them find answers and make discoveries. Thinking about his influence on both my poems and my songs sent me back to one of the first poems I ever heard him explain, “My Papa’s Waltz.”

While it was one of his favorites, for me it is a snapshot from my childhood and each time I hear it, I think of him and his gift to me. I turned this poem into a song. You do need permission to use a poem as song lyrics – which is why my song isn’t here. But – you can still do the exercise.

If you’ve never read Theodore Roethke, take a few minutes and read My Papa’s Waltz. Close your eyes, and you can see the scene: the chaos, the love – now put it into a song.

My Papa’s Waltz

The whiskey on your breath   
Could make a small boy dizzy;   
But I hung on like death:   
Such waltzing was not easy.

We romped until the pans   
Slid from the kitchen shelf;   
My mother’s countenance   
Could not unfrown itself.

The hand that held my wrist   
Was battered on one knuckle;   
At every step you missed
My right ear scraped a buckle.

You beat time on my head   
With a palm caked hard by dirt,   
Then waltzed me off to bed   
Still clinging to your shirt.

By Theodore Roethke from The Collected Poems of Theodore Roethke (1961)

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